简介： The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
Alexander Kluge: The Power of Feeling
When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
《情感的力量》是一部深刻探讨人类情感与内心世界的电影，讲述了一个关于爱、家庭、友情和自我救赎的动人故事。影片通过细腻的叙事和真实的情感描写，展现了人们在面对生活中的困境时，情感如何成为推动他们前进的力量。
故事围绕主人公李明展开，他是一名普通的上班族，生活看似平静却隐藏着诸多压力。一次偶然的机会，他重新遇到了儿时的好友小婷，两人之间的感情逐渐被唤醒。现实的种种阻碍让他们的关系变得复杂而纠结。与此李明的家庭也因母亲的病重而陷入危机，他不得不面对亲情与爱情的双重考验。
影片通过李明的视角，展现了他在情感漩涡中的挣扎与成长。他逐渐意识到，情感不仅是个人的私事，更是连接人与人之间的桥梁。无论是亲情、爱情还是友情，每一种情感都蕴含着巨大的力量，能够让人在黑暗中找到光明。
《情感的力量》不仅是一部情感丰富的电影，更是一部引发观众深思的作品。它通过细腻的剧情和真实的人物刻画，展现了情感在人生中的重要性，同时也传递了积极向上的价值观。无论你是否经历过类似的情感困境，这部电影都能让你感受到情感的力量，并从中获得共鸣与启发。
